Zaha Hadeed Designs in london science museum, La Vida Interior Co.

inside london’s science museum, zaha hadid architects has opened the new mathematics gallery featuring over 100 pieces from the institution’s science, technology, engineering and mathematics collections. the permanent gallery is the first exhibition space designed by zaha hadid and ultimately, reveals the significance of how mathematics is intertwined into everyone’s lives.

the sinuous space is illuminated in purple, and was influenced by the handley page aircraft — its design driven by equations of airflow used in the aviation industry. the form of aeroplanes is the theme that encapsulates the gallery’s design and the way in which the practice of mathematics has helped solve problems throughout history. mathematics and geometry has always been a characteristic element in the architect’s work, and the winton gallery marks the first project since zaha hadid’s passing to be opened in the united kingdom.

the layout and lines of the gallery represent the air that would have flowed around the historic aircraft in flight, from the positioning of the showcases and benches to the three-dimensional curved surfaces of the central pod structure. ‘at its heart this gallery reveals a rich cultural story of human endeavour that has helped transform the world over the last four hundred years’, comments curator dr david rooney  ‘mathematical practice underpins so many aspects of our lives and work, and we hope that bringing together these remarkable stories, people and exhibits will inspire visitors to think about the role of mathematics in a new light.

‘from a beautiful 17th century islamic astrolabe that uses ancient mathematical techniques to map the night sky, to an early example of the famous enigma machine, designed to resist even the most advanced mathematical techniques for code breaking during the second world war, each historic object within the gallery has an important story to tell,’ explains ZHA. ‘archive photography and film helps to capture these stories, and introduces the wide range of people who made, used or were impacted by each mathematical device or idea.’

 

Iindustrial Restaurant design La Vida Interior Co.

Designer has converted a former industrial warehouse into ‘restaurant 108′, a high-end eatery in the danish capital for chef rené redzepi. the design combines the building’s existing structural elements with bespoke furniture pieces that offer a distinct scandinavian style. ‘we wanted to keep the strong structural elements of the tall, light space, as well as reframe the existing beautiful material palette of concrete, bricks and dark metals,’ explain the designers.

sought to incorporate a sense of vibrancy through splashes of color. seafoam green and midnight blue contrast and complement the use of red, seen across copenhagen in its façades, bricks, and roofs. ‘when working with the various functions of the project, we started using these selected areas as colorful features and accents weaving them into the naked spaces,’ continues SPACE copenhagen co-founder, signe bendslev henrikson.

furniture has also been designed by SPACE copenhagen, with their round accent tables serving as small islands dotted around the volume. other items include wardrobes in blackened steel, as well as wooden credenzas that function as waiting stations throughout the interior. suspended from the lofty ceilings, mouth-blown pendant lamps have been manufactured by bomma, design studio olgoj chorchoj. the restaurant’s woven chairs have been designed by jørgen bækmark

 

SPACE copenhagen has also designed the furniture throughout the restaurant

 

 

 

مصمم ديكور سويسري, ذكريات الطفوله احد عناصر الديكور, شركة لافيدا للتصميم الداخلي والديكور

first developed in 2007 by swiss designers jodoc elmiger and valérie jacquemet, the kosmosphaera is a colorful collection of glassmade macro-marbles that invoke timeless childhood memories. during that period in people’s lives,’memories were transparent, colourful and bright as jewels. a completely care-free atmosphere, like colourful glass marbles‘, as expressed by the duo

from this particular reflection, jodoc elmiger and valérie jacquemet speak to all of us with their kosmosphaera collection. crafted by swiss glassmaker mattero gonet, the use of traditional glassworks for this project stands as an archetypical object that could captivate nostalgic adults as well as children in today’s consumerist lifestyle — where nintendo and toy marketing have taken over. furthermore, this particular material brings about a greater awareness: glass symbolizes longevity in a technologically and digitally immersed society where everything is discarded and changing by the second.

Light item designs creative, La Vida interior Co.

UNIQCUBE light cube collection ‘Inspired by nature’ consists of 3 different light cubes each of them capturing a part of the natural world. As more and more people live in urban locations they feel disconnected from the natural world; the new light cube collection is designed to change this bringing some nature spirit to your home.

KNOW YOUR STARS UNIQCUBE will not only give you illumination, but also teach you the constellations. This lamp has the constellations labelled on its top surface, whereas the sides and bottom areas are decorated with large representations of them, so you will never get lost in the endless night sky

GET STONED UNIQCUBE reflects the different stone textures that look as rough as those of a real stone. Have you always wanted a real, impressive stone in your room? Here you go!

SNOWFLAKE UNIQCUBE consists of 8,712 snowflakes, each of them being different and unique. Have you always wanted to keep the snowflakes behind your window for a bit longer? This time you will be the one to melt away!

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لمسات ديكور ابداعيه لتاهيل جراج في برشلونه, ثورة الحداثة والبساطة شركة لافيدا للتصميم الداخلي والديكور

prior to the intervention, the existing elements were in poor conditions. brick and stone walls, as well as the ceiling, were hidden under thick linings of gypsum and mortar. the wooden beams on the ceiling were greatly damaged at certain areas by termites, and it could have easily affected the whole stability of the building. however, the property had multiple light openings and the existence of an inner patio allowed FFWD to use translucent glass in the street windows to highlight natural lighting while still maintaining privacy. this creates visual connections between the main spaces of the houses and courtyard — which is the focal point

the existing valuable components that FFWD wanted to restore form the upper shell of the space: walls and roof. owing to that, the floor would be the newly constructed element in charge of the space configuration. in other words, it becomes like a magma that fills the whole base of the apartment — creating open areas that are organized with the levels and objects generated. in some of the main areas obtained, the loft is organized with the use of closed boxes which contain the more private spots of the house like bathrooms and dressing rooms. based on this approach, bedroom spaces are also formed and remain separated from the daytime areas of the house

الالوان في الديكور الداخلي, كيف نوظفها؟ وماهي انعكساتها النفسيه علينا ......شركة لافيدا للتصميم الداخلي والديكور

- الأحمر:
يعبر عن الإثارة، الطاقة، الدفء، التذبذب. وهو أقوى الألوان علي الإطلاق لأنه لون حيوي. ويكون بالاختيار الملائم لمدخل الحجرات الكبيرة أو لحجرات المعيشة أو الردهات.

- الأخضر:
يمثل الطبيعة، النماء، الاسترخاء. وهو لون مريح للأعصاب ويذكرنا دائماً بالحياة والميلاد. والأخضر من الألوان المحايدة الذي يمكن أن يستخدم في تخليق ألوان جديدة. واختيار اللون الأخضر للمطبخ من الأشياء الملائمة والذي يعطي شعوراً بالنظافة.

- القرنفلي:
يلمح لنا بالثقة، السعادة، الشباب، الجمال. وهو لون قريب وينسجم مع لون الجلد. وهو لون مفضل لدورات المياه أو حجرات النوم.

- الأزرق:
يعكس الهدوء، الراحة، الاسترخاء، المساحات الشاسعة. والأزرق الفاتح الذي يشبه زرقة السماء يكون لأسقف حجرة النوم.

- الأصفر:
يقدم احساس بالسعادة والتفاؤل، ملفت للنظر أكثر من الأبيض ويتفوق عليه في الشعور بالمساحات الشاسعة معه لأن لونه فاتحاً. أما عن اختيارات هذا اللون فيكون لأي حجرة أو حجرات لا تتعرض لضوء الشمس.

- البني:
ينقل مشاعر الرضاء والارتياح والسعادة. وهو لون نسميه باللون المذكر أو باللون الماهر، لذا فالخيار الأفضل له حجرات العمل أو حجرة المكتب.

- البنفسجي:
يشير هذا اللون إلي الفخامة، الكبرياء، الترف، فطلاء الحجرة به يعطي لك الشعور كأنك في جناح ملكي. لذا فلا تمنع ضيوفك من العيش في هذا الجو عند زيارتك بطلاء الحجرة المخصصة لاستقبالهم به.

- البرتقالي:
يرمز إلي الروح، الدفء، الارتياح، العملي. من الأفضل استخدامه في حجرة المعيشة والتي لها مساحة متوسطة، لأن دهان الأسطح الكبيرة به يعطي شعور بالتعب والإرهاق.

- الطوبي:
يعطي الإحساس بالتحفظ وعمق التفكير، ويمكن استخدامه لحجرات المعيشة.

- الأسود:
يعكس الجرأة، الرقي، السيطرة، العمق. ولا يمكن استخدامه بمفرده ولكن مع اللون الأبيض أو الرمادي. يستخدم دائماً للحجرات العصرية والأنيقة.

الأبيض:
يتضمن الأبيض علي النقاء، الصفاء، البراءة، الفضاء، الهدوء، الترف. طلاء حجرة النوم الرئيسية به يعطي لك إحساس بأنك في واحة تفصلك عن العالم الخارجي المليء بالضجيج والتعب.

- الرمادي:
يرسم لنا الرزانة، الحياتية، البيئة التي توجد من حولنا، وهو لون ملائم لحجرة العمل بالمنزل.

واختيار الألوان لديكور المنزل تختلف من شخص لآخر، فهناك من يفضل الألوان الفاتحة ... وآخرون يفضلون الألوان المشعة بالبهجة والألوان الصارخة ... كل ذلك يعتمد علي ذوق الفرد الذي يعكس شخصيته ومدى ارتياحه عند رؤية عينيه لهذه الألوان. 

inside london's design museum La Vida Interior Co.

after five years of construction, london’s design museum is set to open in its new home on kensington high street. the institution, which has tripled in size to 10,000 square meters, is housed within a landmark listed building that dates back to the 1960s. the museum’s interiors have been remodeled by john pawson, while other big names — including OMA — have restored the structure’s distinctive façade and roof canopy

the design museum’s complex renovation saw OMA, allies and morrison, arup and john pawson collaborate to bring the landmark building back into use. the original concrete floors have been removed, while the previously existing façade has been replaced with a double-glazed skin — significantly improving insulation and permitting daylight to enter. the new exterior has been detailed to resemble the original blue skin of the building, with matching mullions and a fritted pattern of printed dots

inside the museum — which forms pawson’s first major public work — a series of calm, atmospheric spaces are articulated around an oak-lined atrium. sightlines are oriented towards the structure’s hyperbolic paraboloid roof, which spans the length of the building, rising on the two opposing corners to create an overhead manta ray-like structure. to ease circulation, galleries, learning spaces, the café, and the events space are arranged around the central atrium.